As an experienced producer and provider of production services in Israel for foreign crews and TV networks filming in Israel, I provide my services to each and every format crews want to shoot: feature films, documentaries, TV commercials, music videos and high-profile exhibition videos. A lot of crews come to shoot for a week, two weeks or even a month; they film documentary shows or parts of series all over the country and visit different locations.

Yet frequently I am asked for some ideas to shoot short, content-driven segments, which focus on one particular aspect of the Holy Land, the three religions or certain archaeological sites and their history. I have compiled a small but compact list of filming short segments (60 or 120 sec) for crews filming in Israel, which should give filmmakers some ideas what they could focus on.

Filming in Israel – Future Prophecies Segment in Jerusalem

Since the beginning of time, prophecies and their human messengers have inspired mankind, causing great excitement and anxiety of what the future might hold for each and every one of us. There are plenty of prophecies connected to Jerusalem, the holiest city in the world, and if a film crew in Israel wants to focus on prophecies and adequate locations, here are some suggestions: 

The Mount of Olives – the site of the Second Coming

The Himnon Valley – the Valley of Hell, stage to Judgement Day

The Kidron Valley – the Dry Bones Prophecy surrounding the tombs

The Golden Gate – the prophecy which sees Jesus walking triumphantly through

the Golden Gate into the city of Jerusalem

Filming in Israel – Nazareth Segment

Beautiful old Nazareth is a very important site to Christianity. Jesus of Nazareth spent his boyhood years here before moving to Capernaum to begin his ministry. There are a number of wonderful locations which crews can visit in one day and edit a great segment as an introduction to Jesus’ life and times.  

The town of Nazareth – old streets, marketplace

The House of Mary and Mary’s Spring

The Church of Annunciation

The Prophecy of the Birth of Jesus – the land of Zebulon and Napthali

Filming in Israel – King Herod

King Herod is often referred to as the Greatest Builder of Ancient Times, and the are numerous ruins around the country which pay tribute to his extraordinary visions and architectural adventures. A segment about Kind Herod should definitely include:

The Herodian – Herod’s Palace, near Bethlehem

The Port of Caesarea – also recommended for underwater archaeology

The Antipatris – on the road from Caesarea to Jerusalem

The Cypros – in Jericho

The Temple Mount and Western Wall – reflecting on the reconstruction of the second temple

The Second Temple Model – to be seen in the Israel Museum

Filming in Israel – Archaeological Excavations in Progress

Digging with archaeological experts on the many sites around the country is not only a popular activity for tourists and archaeology fan. Many crews join one or the other dig throughout their shoot in Israel; the choice of the site depends much on the focus of their film. Here is a list of archaeological sites that have continuous excavations:

City of David – located at the southern tip of Temple Mount

Tzipori – also known as Sepphoria, just a few km north of Nazareth, great mosaic floors

Jacob’s Ford – up in the North, ongoing digs with Prof. Ronnie Ellenblum

Tel Megiddo – the biblical Armageddon, the cradle of Archaeology in Israel, ongoing excavations have uncovered the layers of more than 30 cities

Tel Tsafit – close to Kfar Menachem about 40 min south of Jerusalem, the site is connected to the battle between David and Goliath

Filming in Israel – The Way to Bethlehem

Crews filming in Israel regularly visit Bethlehem to film the stunning Church of Nativity. For crews interested in illustrating Mary’s and Jospeh’s way to Bethlehem, there are some more suggestions here:

The Model of the Second Temple (Israel Museum) – Mary and Jospeh stop on their way to give praise at the temple

Church of the Nativity – the birthplace of Jesus

The town of Bethlehem

Surrounding fields with shepherds and old olive trees

Mount Zion – Mary is said to have fallen in eternal sleep here

This is merely a glimpse of what can be done when filming in Israel – the country’s historical sites, the archaeology and the landscape surrounding them never seize to amaze me! Furthermore, the above locations are also covered in our Israel / Christian footage archive of Biblical Productions, for anyone interested in acquiring archival footage. 

Though Empires consists of all the papers from a 1997 conference, it lacks the uneven and disconnected feel conference proceedings often have. One reason for this is the obvious work that has gone into putting the volume together. Another is the way recurring themes connect the papers together, forming a kind of network argument for the unity of the overall subject (even though one of the themes is the impossibility of any simple definition of “empire”). And the intrinsic fascination of the subject also helps. Empires as a whole, and many of its papers individually, combine traditional approaches (centred on written records and excavations of palaces, temples, and monuments) with more recent ones (stressing settlement studies, peripheral areas, and more complex readings of texts). The result should have something for anyone with any kind of serious interest in history and archaeology.

The seventeen contributions span a broad range. Geographically, there are six papers on American empires, three on South Asia and two on East Asia, and six on the Near East and Europe (counting the Portuguese and Spanish overseas empires as South Asian and American respectively). The major themes addressed include ideologies and actors (at various levels), geographical variation and local and peripheral perspectives, and connections to a broader world, whether geographical (world-systems) or temporal (successor states and historiographical perspectives). And a thematic approach is used to structure the volume, with the papers divided into five sections, each with its own introduction.

“Sources, Approaches, Definitions” contains a mixed bag of papers that address methodological or epistemological issues. The first paper, by Thomas Barfield, starts with the Xiognu and Han China, but extends to steppe empires and China more generally and thence to a universal taxonomy of empires. Barfield’s typology embraces primary empires — with “administration of diversity”, transportation and communication systems, a monopoly of force, and some kind of broad “imperial project” — and various forms of “shadow” empire — “mirror” empires (such as those of the steppe nomads), merchantile empires, “vulture” empires, and “empires of nostalgia”. This framework is used by several of the other contributors to Empires, though sometimes only as a basis for dissent.

Sanjay Subrahmanyam presents a history of the Portuguese Estado da India, asking whether or not it should be classified as an empire. Katharina Schreiber surveys the archaeology of the Wari empire of Middle Horizon Peru, tackling the epistemological problem of what criteria can be used for assigning “empire” status in the absence of written evidence. And Amélie Kuhrt examines one of the archetypal examples of an empire, the Achaemenid Persian Empire, focusing on its formation and cohesion, governance, and the balance between central power and local particularism.

The papers in “Empires in a Wider World” are a bit of a miscellany. Michael Smith looks at the Aztecs in the context of the broader Mesoamerican economic world system, considering both Aztec imperial strategies and their effects on society in the provincial area of Morelos. Carla Sinopli gives a brief account of the earlier Mauryan empire before turning to the Satavahana dynasty of south India (c 100BCE to 200CE), where she focuses on the extent to which its ideological claims in inscriptions and monuments actually had substance in political, military, and economic infrastructure. And Kathleen Deagan looks at how the imperial ideology of Spanish America clashed with local practice, especially in frontier and rural areas.

In “Imperial Integration and Imperial Subjects”, Terence D’Altroy surveys political and economic developments in the Inka empire, with a focus on aristocratic lineages, estates, and inheritance. Robert Morkot looks at imperial relations between Nubia and Egypt, during the expansion of the Eyptian New Kingdom Empire into Nubia (c. 1550-1050 BCE) and, a millennium later, during the 25th Dynasty Kushite domination of Egypt (c. 750-650 BCE). Kathleen Morrison attempts to illuminate debates about the nature of the Vijayanagara empire of south India (c. 1300-1700) by looking at three local areas (dry farmers in the urban hinterland, resistance in northern Tamil provinces, and forager-traders in the western mountains).

Opening the “Imperial Ideologies” section, Elizabeth M. Brumfiel presents a study of Aztec state religion and ritual, in both the capital Tenochtitlan and a regional town Tepepolco, arguing that it was aimed at the young men who formed the backbone of the army. Greg Woolf takes a fresh look at imperial ideologies in the familiar literary evidence from classical Rome. Susan Alcock writes about memories of the past in the Eastern Roman Empire, focusing on landscapes and architectural spaces. And Robin Yates argues that the Chinese Qin dynasty created key cosmographic myths, in particular those that underpin notions of Chinese cultural unity.

The final section is “The Afterlife of Empires”. Mario Liverani gives a historiographical overview of ancient and modern explanations for the end of empires generally and for that of the Assyrian Empire in particular, considering such themes as inner decadence, outer shock, and cycles of collapse and rebirth. John Moreland outlines the roles of administration, warfare and plunder, and trade in constructing the Carolingian empire, but focuses on the ideological appeal to classical Roman models, examining the monastery of San Vincenzo in southern Italy as “a beacon of Carolingian ideology on the edge of empire”. And Sabine MacCormack looks at historical perspectives on the Inca Empire, at the Spanish use of comparisons with the Roman Empire and at the effect on indigenous histories of conflicts within Inca lineages in Cuzco.